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ItвЂ™s a playful brain dump that skips through the memories of her long life in an avalanche of arty free association. Watching this documentary is perhaps the closest thing possible to getting inside long-time French filmmaker Agnes VardaвЂ™s head without surgery. Les plages d'AgnГЁs | documentary 44 of 100 This entry was posted in Film reviews on Decemby Dan McComb. But thatвЂ™s awkward in comparison with what CineLook allows you to do, and the looks are virtually identical (although CineGrain offers a wider range of options such as light leaks).ДЇor comparison between CineGrain and CineLook, IвЂ™ve taken three frame grabs below, all from actual size 1920Г—1080 frame (there is a watermark visible on CineGrain frame, because I used sample footage as I havenвЂ™t purchased it).

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The closest competitor, CineGrain, requires you to download footage, then manually composite it on a layer above your footage using Overlay, and you can make refinements from there.

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HereвЂ™s a screenshot that illustrates why this is so cool (click to view at full resolution):ДЇor adding film grain, this plugin is in a class by itself. Using real film grain solve this problem and restricts the grain where it belongs: in the mid tones and highlights. grain in the first release of CineLook added all kinds of noise in the shadows. Notice in particular how the Gorilla grain stays clear of the shadows. If you donвЂ™t have time to download the original footage, just click on the screen grabs below to view them at full resolution).

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The link wonвЂ™t work unless you have a Vimeo Pro account to download the original footage). (Note, however, that you will need to download the uncompressed footage from Vimeo to see the subtle but huge difference вЂ“ it really doesnвЂ™t show up well after the compression that Vimeo lays down. I did a test this morning on some footage from the film IвЂ™m currently cutting. The combined plugin now costs $99 bucks $69 if you want the grain only as a stand-alone plugin.

And it remains simple, and affordable, although somewhat more expensive due to him partnering Gorilla Grain to provide the scans. So this morning, exactly one week later, IвЂ™m delighted to discover that Denver has shipped an updated CineLook plugin that does EXACTLY what I want it to: add REAL film grain to my footage, either subtly or dramatically, without having to mess with compositing layers. And wouldnвЂ™t including real film grain push the product toward CineGrainвЂ™s $300 price point? And add a lot of complexity to the interface? That sounded pretty cool вЂ“ but I figured it would take months. He agreed that the grain was lackluster, and shared that he was considering on a solution to add REAL film grain instead. I shared my disappointment with Denver by email, and he immediately replied. All it did was add nauseating digital noise to the shot. I tried it out last week, and found the вЂњadd grainвЂќ feature to be seriously lacking. It even includes a 2.35:1 widescreen format crop from within the effect. 6, Denver Riddle ( Color Grading Central) released a promising plugin that attempted to deliver what he called вЂњthe holy grailвЂќ of grading within a single FCPX plugin: a filmic color grade, noise reduction, sharpening, tinting, and filmic grain. Ferrari has also wrote for Point of View, a Canadian magazine about documentary film and photography.On Dec. The film sets out to answer the question - вЂњWhat is documentary?вЂќ - by taking the viewer through the process of creating a documentary from initial idea to final edit. Her 2010 documentary Capturing Reality: The Art of Documentary features well-known living documentary filmmakers such as Nick Broomfield, Werner Herzog, Kim Longinotto and Errol Morris watching their own films and discussing the technical and ethical choices that guided their work. Ferrari focused on the three most prominent artists from the group: Prudence Heward, Sarah Robertson and Anne Savage. Her directorial debut By Woman's Hand was a documentary about the Beaver Hall Group, a group of Canadian women painters, who were associated with the Group of Seven. In 1994 she began her long-standing relationship with the National Film Board of Canada, who produced seven of her films, five of which are available to stream online in both English and French. Pepita Ferrari (1952 - 2018) was a Canadian filmmaker.